--taken from: Cashbox Canada
Submitted by Cashbox Canada
The band was formed in 1991 when Chris Murphy and Andrew Scott met at the Nova Scotia College of Art and Design (NSCAD) in Halifax; Patrick Pentland and Jay Ferguson joined soon after. According to Sloan's official website, the band is named after the nickname of their friend, Jason Larson. Larsen was originally called Slow One by his French-speaking boss which, with the French accent, sounded more like "Sloan". The original agreement was that they could name the band after Larsen as long as he was on the cover of their first album. As a result, it is Larsen who appears on the cover of the Peppermint EP, which was released on the band's own label, Murderecords.
Later in 1992, Sloan released their full-length album Smeared on Geffen Records. In 1994 Geffen did not promote their second album, Twice Removed, due to artistic disputes, although it sold well in Canada. Spin named it one of the "Best Albums You Didn't Hear" in 1994. A 1996 reader poll by Canadian music magazine Chart! ranked it as the best Canadian album of all time, only two years after its release. The same poll in 2000 ranked the album third, behind Joni Mitchell's Blue and Neil Young's Harvest. However, the 2005 poll once again ranked the album first.
After the release of Twice Removed, the band went on hiatus and were rumoured to have broken up, as they had rejected Geffen's offer for their next album. In 1996, however, they released the widely praised One Chord to Anotheron their own Murderecords label. Following 1998's Navy Blues album, Sloan released their first live album 4 Nights at the Palais Royale in 1999. Those albums were followed by Between the Bridges in 1999, and Pretty Together in 2001.
Sloan made a concerted effort to break into the US market on their 2003 release Action Pact. Songs were recorded in L.A. with Tom Rothrock producing. The glossier, radio-ready sound failed to raise Sloan's profile in the US, though they continued to be highly popular in Canada.
Sloan's first compilation album A Sides Win: Singles 1992-2005, included two new songs, "All Used Up" and "Try to Make It". The Japanese release included two additional new tracks.
Now signed to Yep Roc Records for their US releases, they put out their eighth disc, Never Hear the End of It in 2006. The album contained 30 tracks with all the members of the band contributing new songs. It was met with widespread critical acclaim and became the highest charting Sloan album in the US up to that point. In 2008, Sloan followed up their longest album with their shortest release, Parallel Play.
In November 2009 Sloan added a digital music store to their website. The band released an online-only EP called Hit & Run to promote the store. The EP featured two songs by Chris Murphy, and one by each of the other band members. Murphy's Take It Upon Yourself was released as a free single. In February 2010, the band released another online exclusive, the compilation album B-Sides Win: Extras, Bonus Tracks and B-Sides 1992 - 2008.
Sloan announced plans to release a 10th album in 2011, to coincide with the 20th anniversary of their first show.
On February 22, 2011, Sloan announced that their new album would be released on May 10, 2011. The album is entitled The Double Cross, a nod to their 20th (or XX) anniversary. The album is preceded by the its first single, "Unkind".
With the release of The Double Cross, Sloan has now released a catalogue of around 175 different songs.
In promotion of the new album, a special video series produced and directed by Catherine Stockhausen has been launched on YouTube to commemorate the illustrious success of the band. Interviewed in these videos are several musicians and celebrities such as Jason Schwartzman, Joel Plaskett, Stefan Brogren, Dave Foley, Kevin Drew, Buck 65,Sebastien Grainger, The Dears, Ian D'Sa and Benjamin Kowalewicz from Billy Talent, K-OS, and Dave Hamlin. Following the completion of touring for The Double Cross, Sloan reissued and toured behind Twice Removed as a three-record vinyl box set containing the original album, rarities, and demos.
On April 24, 2013, Sloan announced the release of a hardcore punk single, Jenny b/w It's In You, It's In Me. With it comes a digital download of a hardcore covers album, as well as a T-shirt portraying the band members circa 1985.
In 2013, the band revealed plans for a double album, with each of the four sides featuring a solo suite by a different band member. In May 2014, it was announced that the new album would be titled Commonwealth and would be released in September 2014. On July 14, 2014, the band announced the official release date for the album (September 9, which turned out to be accurate) and the release of the album's first single, "Keep Swinging (Downtown)".
All four members of Sloan write their own songs, and when they play live they switch instruments accordingly. Usually the band performs as follows: Murphy is on lead vocals and plays bass, Pentland is also on lead vocals and plays lead guitar, Ferguson plays rhythm guitar, and Scott plays drums. The most notable exception is when Scott picks up the guitar to play his songs; Ferguson and Murphy switch to bass and drums, respectively. Prior to 2006's Never Hear the End of It, Ferguson and Scott would also play electric piano on songs that called for it; Gregory Macdonald now handles keyboard duties live and in the studio.
While Murphy has written more of the band's songs than any of the other members, Pentland is nonetheless responsible for having written many of Sloan's most recognizable hits. Perhaps more noteworthy, however, is the fact that every member of the group has contributed at least two songs per album, with only the following exceptions: On 1992's debut LP, Smeared, Scott and Pentland are credited with just one song each, while on 2003's Action Pact, Scott has no songs, for according to Eye Weekly, that album's producer, Tom Rothrock, essentially randomly selected tracks out of the band's submissions in the interest of creating a more streamlined sound.
--taken from: Cashbox Canada
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Thursday, September 17, 2015
Saturday, September 12, 2015
Massey Hall, Toronto ON, September 11
--taken from: Exclaim!
by Cam Lindsay
"Once this gets going it's gonna be really good," Chris Murphy promised the full Massey Hall audience. Walking on stage to a faulty PA system wasn't what Sloan had in mind for their second-ever show at the historic Toronto venue. But they handled the 15-minute delay like champs, and they kind of had to: a multi-camera crew was on hand to document the show for what one can only assume is a forthcoming concert film. (Editor's note: the proceedings were filmed as part of the Live At Massey Hall series.) "Are the cameras capturing all of this magic?" Murphy asked. And they were. But they also caught an impromptu, fan-led run through of "O Canada" (what else would Canadians sing off the cuff?) and the band leading a PA-free sing-along of Twice Removed's "Deeper Than Beauty."
Once problems were solved, things ran like clockwork, beginning with posi-anthem "If It Feels Good Do It." Sloan were well aware of the show's significance, with Murphy asking fans, "Did anyone here see us here in 2000?" followed up with "Has anyone seen us since?" But the band's long-time fans meshed with the new ones, like a toddler named Jack who was celebrating his first-ever concert, and an unnamed little girl who later stole the show dancing and playing tambourine on stage to "Money City Maniacs."
Like any Sloan show, it was a democratic showcase for the four singer-songwriters in the band. Jay Ferguson shone with his sugary pop numbers like "C'mon C'mon," "Snowsuit Sound" and the crowd-pleasing "Who Taught You To Live Like That." Patrick Pentland chose more riff-led rockers like "Keep Swinging (Downtown)," "Ill-Placed Trust" and the crowd-pleasing "Unkind," which got everyone up on their feet.
Murphy had the bulk of the set with "The Other Man," "Carried Away" and radio hit "The Rest of My Life," which generated a massive contribution from the audience. Andrew Scott stepped out from behind the kit and was allotted time for the majority of his contribution to last year's Commonwealth, the 17-minute-long hybrid, "48 Portraits." It was an interesting choice of song to slip right into the middle of the 18-song set, but the response felt like a great divide; fans familiar with the album ate it up, while the unacquainted looked confused.
When it counted toward the show's end though, Sloan started to uncover the hits. "Money City Maniacs" is a bona fide classic in their catalogue, which inspired a spirited clap-along and the aforementioned show-stealing miss who, decked out in her Sloan tee, earned smiles and applause from the band. Murphy added, "Thank you to the little girl we rented who was supplied by Massey Hall."
Scott came out front again for a festive rendition of "People of the Sky," before they finished with their signature, "Underwhelmed," which still sounds as fresh and essential as it did when it first dropped 23 years ago.
As they approach their silver anniversary next year, Sloan still have the chops and the songbook to pull off a show that caters to both what the band and the fans want. It's a rare thing when a band so far in can do such a thing without only playing the hits, and a true testament to not only Sloan as a band, but the love their fans have for them.
--taken from: Exclaim!
by Cam Lindsay
"Once this gets going it's gonna be really good," Chris Murphy promised the full Massey Hall audience. Walking on stage to a faulty PA system wasn't what Sloan had in mind for their second-ever show at the historic Toronto venue. But they handled the 15-minute delay like champs, and they kind of had to: a multi-camera crew was on hand to document the show for what one can only assume is a forthcoming concert film. (Editor's note: the proceedings were filmed as part of the Live At Massey Hall series.) "Are the cameras capturing all of this magic?" Murphy asked. And they were. But they also caught an impromptu, fan-led run through of "O Canada" (what else would Canadians sing off the cuff?) and the band leading a PA-free sing-along of Twice Removed's "Deeper Than Beauty."
Once problems were solved, things ran like clockwork, beginning with posi-anthem "If It Feels Good Do It." Sloan were well aware of the show's significance, with Murphy asking fans, "Did anyone here see us here in 2000?" followed up with "Has anyone seen us since?" But the band's long-time fans meshed with the new ones, like a toddler named Jack who was celebrating his first-ever concert, and an unnamed little girl who later stole the show dancing and playing tambourine on stage to "Money City Maniacs."
Like any Sloan show, it was a democratic showcase for the four singer-songwriters in the band. Jay Ferguson shone with his sugary pop numbers like "C'mon C'mon," "Snowsuit Sound" and the crowd-pleasing "Who Taught You To Live Like That." Patrick Pentland chose more riff-led rockers like "Keep Swinging (Downtown)," "Ill-Placed Trust" and the crowd-pleasing "Unkind," which got everyone up on their feet.
Murphy had the bulk of the set with "The Other Man," "Carried Away" and radio hit "The Rest of My Life," which generated a massive contribution from the audience. Andrew Scott stepped out from behind the kit and was allotted time for the majority of his contribution to last year's Commonwealth, the 17-minute-long hybrid, "48 Portraits." It was an interesting choice of song to slip right into the middle of the 18-song set, but the response felt like a great divide; fans familiar with the album ate it up, while the unacquainted looked confused.
When it counted toward the show's end though, Sloan started to uncover the hits. "Money City Maniacs" is a bona fide classic in their catalogue, which inspired a spirited clap-along and the aforementioned show-stealing miss who, decked out in her Sloan tee, earned smiles and applause from the band. Murphy added, "Thank you to the little girl we rented who was supplied by Massey Hall."
Scott came out front again for a festive rendition of "People of the Sky," before they finished with their signature, "Underwhelmed," which still sounds as fresh and essential as it did when it first dropped 23 years ago.
As they approach their silver anniversary next year, Sloan still have the chops and the songbook to pull off a show that caters to both what the band and the fans want. It's a rare thing when a band so far in can do such a thing without only playing the hits, and a true testament to not only Sloan as a band, but the love their fans have for them.
--taken from: Exclaim!
Friday, September 11, 2015
Members of Sloan, Super Friendz & The Inbreds form TUNS, share first single "Throw It All Away"
--taken from: Brooklyn Vegan (steam the song, "Throw It All Away" here)
by Bill Pearis
Sloan are currently working on the 20th Anniversary special edition box set of their 1995 album One Chord to Another. While we wait, singer/bassist Chris Murphy has formed a new group, TUNS, that is a bit of a '90s Halifax supergroup. The trio also includes Chris' onetime Super Friendz bandmate Matt Murphy (no relation), as well as Mike Oneill who was one half of highly underrated duo The Inbreds. Not much else is known about TUNS -- there's a website, Instagram, and Facebook set up with nothing much there yet -- but they have released a song, "Throw It All Away." It even sounds like it could've been made in the '90s, with a just-right mid-fi production style. To my ears it sounds like Oneill takes lead vocals on this '60s inspired track (you can hear Chris Murphy on harmonies) that is very, very catchy. Can't wait to hear more. Stream it below.
Sloan's Murderrecords reissued Super Friendz' 1995 debut Mock Up, Scale Down, a couple years ago and you can stream that below. Also highly recommended is The Inbreds' 1994 debut, Kombinator, which you can stream below as well.
--taken from: Brooklyn Vegan (steam the song, "Throw It All Away" here)
by Bill Pearis
Sloan are currently working on the 20th Anniversary special edition box set of their 1995 album One Chord to Another. While we wait, singer/bassist Chris Murphy has formed a new group, TUNS, that is a bit of a '90s Halifax supergroup. The trio also includes Chris' onetime Super Friendz bandmate Matt Murphy (no relation), as well as Mike Oneill who was one half of highly underrated duo The Inbreds. Not much else is known about TUNS -- there's a website, Instagram, and Facebook set up with nothing much there yet -- but they have released a song, "Throw It All Away." It even sounds like it could've been made in the '90s, with a just-right mid-fi production style. To my ears it sounds like Oneill takes lead vocals on this '60s inspired track (you can hear Chris Murphy on harmonies) that is very, very catchy. Can't wait to hear more. Stream it below.
Sloan's Murderrecords reissued Super Friendz' 1995 debut Mock Up, Scale Down, a couple years ago and you can stream that below. Also highly recommended is The Inbreds' 1994 debut, Kombinator, which you can stream below as well.
--taken from: Brooklyn Vegan (steam the song, "Throw It All Away" here)
Thursday, September 10, 2015
Chris Murphy, Matt Murphy and Mike O'Neill Team Up as TUNS, Premiere First Single
--taken from: Exclaim! (listen to the song, "Throw It All Away" here)
by Gregory Adams
Canadian indie rock fans, behold your latest supergroup: TUNS. The band, featuring Sloan bassist/vocalist Chris Murphy, Super Friendz/Flashing Lights mastermind Matt Murphy and Inbreds frontman Mike O'Neill have just formally introduced themselves with a debut single, "Throw It All Away."
Very little has been revealed behind the project so far, but TUNS have rolled out a homepage, as well as social media accounts through Facebook, Instagram and SoundCloud. It's through the latter that the band have premiered "Throw It All Away," a song that mixes a Maritimes pop approach of honey-gummy vocal harmonies and jangled chords with a rather busy backbeat.
Though the official lineup details have not been explained, we're going to take a stab at it and say Matt Murphy is on guitar, Chris Murphy is slamming the kit, and O'Neill is handling the low-end with his bass skills. All three could be singing on the track.
This is, of course, not the first time the TUNS members' paths have crossed. Chris Murphy briefly set up shop behind the drums in Matt Murphy's Superfriendz in the '90s, while the pair had also teamed up with Jale's Jennifer Pierce as the Certain Someones. An ages-old recording of the latter was delivered as part of a Murderecords anniversary book in 2013.
O'Neill's Inbreds are also attached to the history of Murderecords, with the act having delivered singles and album releases through the label in the '90s.
Though it's as yet to be confirmed, Canadian music journalist Michael Barclay tweeted today (September 10) that TUNS will make their live debut at Toronto's second annual Dream Serenade on October 17. So far, only Hayden and Joel Plaskett have been confirmed for the Massey Hall performance, but more artist appearances are expected to be revealed shortly.
--taken from: Exclaim! (listen to the song, "Throw It All Away" here)
by Gregory Adams
Canadian indie rock fans, behold your latest supergroup: TUNS. The band, featuring Sloan bassist/vocalist Chris Murphy, Super Friendz/Flashing Lights mastermind Matt Murphy and Inbreds frontman Mike O'Neill have just formally introduced themselves with a debut single, "Throw It All Away."
Very little has been revealed behind the project so far, but TUNS have rolled out a homepage, as well as social media accounts through Facebook, Instagram and SoundCloud. It's through the latter that the band have premiered "Throw It All Away," a song that mixes a Maritimes pop approach of honey-gummy vocal harmonies and jangled chords with a rather busy backbeat.
Though the official lineup details have not been explained, we're going to take a stab at it and say Matt Murphy is on guitar, Chris Murphy is slamming the kit, and O'Neill is handling the low-end with his bass skills. All three could be singing on the track.
This is, of course, not the first time the TUNS members' paths have crossed. Chris Murphy briefly set up shop behind the drums in Matt Murphy's Superfriendz in the '90s, while the pair had also teamed up with Jale's Jennifer Pierce as the Certain Someones. An ages-old recording of the latter was delivered as part of a Murderecords anniversary book in 2013.
O'Neill's Inbreds are also attached to the history of Murderecords, with the act having delivered singles and album releases through the label in the '90s.
Though it's as yet to be confirmed, Canadian music journalist Michael Barclay tweeted today (September 10) that TUNS will make their live debut at Toronto's second annual Dream Serenade on October 17. So far, only Hayden and Joel Plaskett have been confirmed for the Massey Hall performance, but more artist appearances are expected to be revealed shortly.
--taken from: Exclaim! (listen to the song, "Throw It All Away" here)
Wednesday, September 9, 2015
Sloan vs Slayer
--taken from: NOW Toronto (read the rest of Patrick's review here!)
by Patrick Pentland :)
Wait… what?! A guy in Sloan knows who Slayer are? But Sloan only listen to the Beatles and write jangly power pop. They’re too dignified (and old) to listen to thrash metal pioneers Slayer!
If you grew up in the 80s, as I did, you know who Slayer are. They were a major part of the thrash metal/punk crossover that led Iron Maiden fans to Minor Threat. I bought my fair share of RIP magazines, and one of the first bands I played in covered Hell Awaits, or at least the bit after the backward scary stuff and up to when the song got complicated.
When we were mixing 2001’s Pretty Together album at Vancouver’s Warehouse studio, Slayer had just been in to record God Hates Us All. They left a bong made out of a coffee urn and a paper towel tube with their logo scrawled on it in blue Sharpie.
--taken from: NOW Toronto (read the rest of Patrick's review here!)
by Patrick Pentland :)
Wait… what?! A guy in Sloan knows who Slayer are? But Sloan only listen to the Beatles and write jangly power pop. They’re too dignified (and old) to listen to thrash metal pioneers Slayer!
If you grew up in the 80s, as I did, you know who Slayer are. They were a major part of the thrash metal/punk crossover that led Iron Maiden fans to Minor Threat. I bought my fair share of RIP magazines, and one of the first bands I played in covered Hell Awaits, or at least the bit after the backward scary stuff and up to when the song got complicated.
When we were mixing 2001’s Pretty Together album at Vancouver’s Warehouse studio, Slayer had just been in to record God Hates Us All. They left a bong made out of a coffee urn and a paper towel tube with their logo scrawled on it in blue Sharpie.
--taken from: NOW Toronto (read the rest of Patrick's review here!)
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