How to Use This Site

Looking for:
...a certain article or performance? Type keywords in the search bar.
...an old @Sloanmusic tweet? Check the Twitter Archive pages sorted by year.
...pretty much anything Sloan-related? Feel free to browse the site!

Wednesday, February 17, 2016

Sloan to Play 'One Chord to Another' in Full on 20th Anniversary Tour

--taken from: Exclaim!



by Gregory Adams

With over 25 years worth of music to sift through, it may be hard to pick a favourite Sloan album. If, however, you're a massive fan of the Canadian pop rock project's 1996 LP, One Chord to Another, you're in for a treat. The band have just announced they're going to be playing the album in full on an upcoming 20th anniversary tour.

While a few dates had leaked earlier in the month, Sloan have now unveiled a proper tour route for their "One Chord to Another 20th Anniversary Tour." Speaking to Exclaim!, the band explained that the first leg of concerts kicks off in early April, with shows running from Ontario out to BC.

Sloan will play two sets a night, with a full-album performance of One Chord to Another preceding a more general set of "hits and fan favourites." The quartet had pulled off a similar feat in 2012 when they were touring behind an expanded box set release of their 1994 classic, Twice Removed.

Though details have yet to arrive in full, guitarist/vocalist Jay Ferguson also confirmed to Exclaim! that a box set release behind One Chord to Another is on the way. It's as yet unclear if the collection will be up for grabs for these spring dates.

You'll find the rundown on the first leg of anniversary dates down below, while dates across East Coast Canada and a fuller stretch in the U.S. are expected to be revealed later in the year.

One Chord to Another was written by Sloan in 1995 during a time at which many believed the band had been broken up. It followed their two-album stint with DGC Records and was released in Canada through the group's Murderecords in 1996. Since-shuttered indie imprint the Enclave handled the U.S. release in 1997.

Album stand-outs include the hard garage bop of "The Good in Everyone," horn-blaring pop piece "Everything You've Done Wrong," and Ferguson's knock-out gorgeous, Ringo Starr-saluting masterpiece, "The Lines You Amend."

--taken from: Exclaim!

Tuesday, February 2, 2016

Choir! Choir! Choir! Celebrates Five Years

Founders reflect on their favourite performances with the city's no-commitment singing group.

--taken from: Torontoist (read more here)



by Daveed Goldman and Nobu Adilman

On February 2, 2011, Daveed Goldman and Nobu Adilman gathered at the Bosley Real Estate office in Queen West to sing. “We had no idea what we were doing,” the pair suggests. But they did something right: that night, Choir! Choir! Choir! was born.

The casual, no-commitment singing group meets twice-weekly in the city to perform their own twist on pop hits. Since that first night, the group has bounced from Bosley to Adilman’s basement to their current home in the back room at Clinton’s, and has performed with big names in the music industry.

In honour of Choir! Choir! Choir!’s five-year anniversary, Torontoist asked Goldman and Adilman to recount their five favourite performances.

4. John Lennon—Imagine

We have such fond memories of all our Epic Nights! events, which have included singing with Sloan’s Chris Murphy and Jay Ferguson (“Coax Me”), Hey Rosetta!’s Tim Baker (“Carry Me Home”), Joel Plaskett (“When I Close My Eyes”), and Odds’ Craig Northey (“Someone Who’s Cool”). But the biggest one yet was held last December, the climax of our “C!C!C! Sings For Syria” campaign to sponsor a Syrian family in Toronto.

Held on the tragic 35th anniversary of John Lennon’s death, Reuben Bullock, front man of Reuben And The Dark, sang the lead to “Imagine” while a capacity crowd at Lee’s Palace sang backup. The night raised $11,000, and to date, our campaign is nearing $70,000.




--taken from: Torontoist (read more here)

Saturday, January 30, 2016

Long Winter gets warm welcome in Toronto

The mashup of music, art, comedy, video games and food has become a beacon during the bleak months.

--taken from: Toronto Star

Event organizers Mike Haliechuk, left, and Brian Wong, a DJ of the collective It's Not U, It's Me will transform the mall space behind them as a concert venue for the Long Winter concert. The concert will be in Galleria Mall on Dufferin St.


by Nick Patch

Long Winter owes both its inspiration and success to one undeniable fact of life in Toronto: this time of year can be grey, gruelling and gravely boring.

The three-year-old event series has become a beacon in the bleak months, a mashup of music, art, comedy, video games and food that draws amusement-park queues to the Great Hall on Queen St. W. each month. And its origins owe to the fact that the event’s creators, like its attendees, simply wanted something to occupy their time during the frigid portion of the calendar.

“For me personally, it keeps me so busy that the winter just flies by,” said F---ed Up guitarist and event co-founder Mike Haliechuk.

“It’s very Canadian to celebrate the winter and that majority of our year.”

The first concert, back in November 2012, came together in part because F---ed Up wanted to book a winter show and decidedto do things a bit differently.

Though it was conceived as a “community revue,” Long Winter in its first year was very much a vehicle for F---ed Up’s pop-coated hardcore. Most elements of the event, which typically runs November through March, have since remained static — the pay-what-you-can policy, all-ages inclusivity and giddy cross-platform programming — but the booking concept has changed.

“We used to try to book a big headliner every time,” Haliechuk said. “But we were finding that for very established bands, playing Long Winter was a nuisance. There are a lot of hoops to jump through; the space is weird and it’s not a lot of money.

“But with bands that are on the cusp, going to Long Winter will often be the best show they’ve ever had.”

That’s because Haliechuk and his team — which numbers between 50 and 60 people, including around 20 volunteers — target acts that have yet to play to an audience as big or diverse as that granted by Long Winter, which consistently fills the Great Hall to its 1,000-plus capacity.

To pinpoint the right acts — for past shows, Moon King, Alvvays and Absolutely Free — Haliechuk has curated the lineup alongside Brian Wong, Colin Medley and Vish Khanna, while the artistic booking has been handled by Alison Creba, Lyndsey Cope and Jaclyn Blumas.

Comedian Spencer Butt has performed at Long Winter.
Each Long Winter is packed with attractions. The most recent instalment featured comedy from Spencer Butt, mouth-watering yaki-onigiri (or grilled rice balls filled with smoked turkey or veggies) from Abokichi, indie video gaming in the form of The Wizards of Trinity BellwoodsThe Wizards of Trinity Bellwoods, a discussion panel featuring Sloan’s Chris Murphy and impressive dinosaur-themed electronic performance art from Zoo Owl.

“It’s kind of like a choose-your-own-adventure,” concluded oft-featured artist Melissa Fisher.

And few of the fledgling artists featured seem to anticipate the call.

“I was very shocked when Mike reached out,” said Nicole Dollanganger,a Grimes-endorsed songwriter of blackly bleak bedroom folk. “I’d only played a couple shows, so the idea was really intimidating.”

Beyond a sizable, reliably packed room, Long Winter offers artists a chance to branch out beyond their dedicated fan base.

“With Long Winter, we got a variety of age groups and backgrounds,” said Steve Sidoli of Teenanger, scheduled for Saturday’s show at Galleria Shopping Centre, the fifth Long Winter to be held away from the Great Hall.

“I remember I started a new job a couple days later, and a guy who would definitely not have been into the band before recognized me and said, ‘I saw you play at the Great Hall.’”

Still, in the dizzying blizzard of entertainments at Long Winter, some elements are bound to be lost.

A special glow at one of Long Winter's two December instalments.
“Sometimes it works and sometimes it doesn’t,” said Scott Jenner of VCR, set to play Saturday. “I’ve been before to support a friend’s thing and then I’m just confused as to what’s happening for the rest of the night, because there’s always so much happening. Maybe the two things I’m interested in are happening four hours apart, so sometimes I feel kind of lost.

“But sometimes I get to see things I would never normally leave my house to go see that I actually really enjoy.”

Well, the simple act of leaving one’s house can feel like an achievement in these months of seasonal hibernation. And Long Winter organizers hope the show is as inspiring as it is overwhelming.

“It’s an event that comes out of a small artistic community in Toronto. We wanted it to feel like everybody who went was part of it,” Haliechuk said.

“If you make people engage (and) think about what they’re doing from the minute they get there, hopefully they have a different experience than going to the movies.”

--taken from: Toronto Star

Tuesday, January 12, 2016

Obama does Drake, a choir sings Justin Bieber and the rest of this month in Toronto music

--taken from: Toronto Life

by Luc Rinaldi

Every month, we bring you a track-by-track breakdown of the city’s best new music and most anticipated concerts. In this edition: a Sloan offshoot, the Power Rangers play A-Ha, and what if The Weekend was in an emo band?

Indie-rock geeks’ new favourite track

There’s a whole lot of Halifax talent between the three shaggy-haired veterans who comprise the indie-rock supergroup TUNS: Sloan’s Chris Murphy, Super Friendz’ Matt Murphy and Inbreds’ Mike O’Neill. Despite playing just a handful of shows together under their current moniker, they’re headlining January 16’s edition of the eclectic concert series Long Winter at the Great Hall. Here’s their debut single, “Throw It All Away.”

--taken from: Toronto Life

Bowie Tributes from Toronto Musicians Roll In

--taken from: NOW Toronto



The music world reeled on Monday, January 11, at the news of David Bowie’s death on Sunday, two days after the release of his superb 25th album, Blackstar.

Here’s a sampling of reactions from Toronto musicians.

“I’d like to be that kid out there who has never heard of David Bowie before this morning and is sparked enough to go and start digging through that insanely exceptional body of work,” said Sloan’s Jay Ferguson on Facebook. “How fun would it be to discover all that music again? The best.”


Skratch Bastid took to his turntables – and YouTube – to spin a moving tribute to the Thin White Duke via a Let’s Dance routine that’s chalked up over 5.5 million views.

On his Facebook, Bastid, aka Paul Murphy, wrote, “Lots can be said & written to eulogize prolific artists like him, but I think the most appropriate way for a DJ to celebrate my favourite artists is by sharing their music.”

Rapper k-os weighed in on Twitter: “@kosinception I Shed a tear for David Bowie one of the greatest artists of our generation & one of our biggest influences – a true original – we love you.”

Reg Vermue, aka Gentleman Reg and ReginatheGentleLady, told CBC, “He was always so into the underground, the queer aesthetic and that world. It was so brave of him to do those things. I don’t even know if he thought of it that way. I don’t know if he would have used that term ‘brave’ or whether that’s just what the art required.”



--taken from: NOW Toronto