--taken from: Exclaim!
by Gregory Adams
While yesterday (May 30), we learned that Sloan are headlining a show at Toronto's Great Hall as part of NXNE, the band have now gone on to explain that the concert will act as the 21st anniversary party for their Murderecords imprint.
As previously reported, the June 14 concert features Sloan, as well as label vets the Super Friendz and Mike O'Neill of the Inbreds, plus a DJ set from former Local Rabbits member Ben Gunning. Sloan guitarist Jay Ferguson explained today (May 31) in a post on their website that the concert will salute the milestone a few ways.
First up, Sloan will perform their Peppermint EP, which was the first release on Murderecords, in its entirety, which is pretty awesome.
The label will also toast itself with a couple of limited-edition releases. Ferguson noted that he and Sloan bassist Chris Murphy have prepped a book that serves to celebrate the first 12 7-inch singles the label issued in the '90s, as well as the photography of Catherine Stockhausen's that captured the bands at the time.
The book will come with a digitally remastered download of all 28 songs from the singles, including material from Sloan, Eric's Trip, Local Rabbits, the Inbreds, Stinkin' Rich, the Hardship Post, Jale, Thrush Hermit and Zumpano. The book also comes with a previously unreleased 7-inch from the Certain Someones, a supergroup featuring Murphy, Super Friendz' Matthew Murphy and Jale's Jennifer Pierce. The package is being pressed in a run of 500.
Also up for grabs at the event will be the first-ever vinyl pressing of the Super Friendz's 1995 debut LP Mock Up, Scale Down, which is being presented on 180-gram vinyl and with gatefold artwork. It too is being pressed in a limited run of 500 copies and adds an unreleased version of "Boots" to the tracklisting.
--taken from: Exclaim!
How to Use This Site
Looking for:
...a certain article or performance? Type keywords in the search bar....an old @Sloanmusic tweet? Check the Twitter Archive pages sorted by year.
...pretty much anything Sloan-related? Feel free to browse the site!
Friday, May 31, 2013
Thursday, May 30, 2013
NXNE Adds Sloan, Billy Talent, Evan Dando
--taken from: Exclaim!
by Gregory Adams
NXNE is just around the corner, but the Toronto music event is still making some last-minute additions to the lineup, with recently revealed participants including Sloan, Billy Talent and the Lemonheads' Evan Dando.
A press release confirms that Billy Talent will headline a free outdoor show at Yonge-Dundas Square on June 15, with other acts playing that day including Millencolin, Big Black Delta, Moon King, Blinker the Star, We Are Scientists, Steve Hill and the Burning Boyz. Other outfits playing Yonge-Dundas Square throughout NXNE include the National, Social Distortion, the Flatliners, Joey Bada$$ and more.
As previously reported, Big Boi will not make it out for his June 16 slot at the venue due to a knee injury.
Sloan will take to Toronto's Great Hall on June 14, with the night also featuring performances from the Super Friendz, Mike O'Neill and a DJ set from former Local Rabbits member Ben Gunning.
Evan Dando, meanwhile, will play the Rivoli on June 15, sandwiched between sets from Elliot Maginot, Mamabalo, Sara Johnston, Steve Hill and Patrick Joseph.
You can find out more about the rest of NXNE, which runs June 10 to 16, over here.
--taken from: Exclaim!
by Gregory Adams
NXNE is just around the corner, but the Toronto music event is still making some last-minute additions to the lineup, with recently revealed participants including Sloan, Billy Talent and the Lemonheads' Evan Dando.
A press release confirms that Billy Talent will headline a free outdoor show at Yonge-Dundas Square on June 15, with other acts playing that day including Millencolin, Big Black Delta, Moon King, Blinker the Star, We Are Scientists, Steve Hill and the Burning Boyz. Other outfits playing Yonge-Dundas Square throughout NXNE include the National, Social Distortion, the Flatliners, Joey Bada$$ and more.
As previously reported, Big Boi will not make it out for his June 16 slot at the venue due to a knee injury.
Sloan will take to Toronto's Great Hall on June 14, with the night also featuring performances from the Super Friendz, Mike O'Neill and a DJ set from former Local Rabbits member Ben Gunning.
Evan Dando, meanwhile, will play the Rivoli on June 15, sandwiched between sets from Elliot Maginot, Mamabalo, Sara Johnston, Steve Hill and Patrick Joseph.
You can find out more about the rest of NXNE, which runs June 10 to 16, over here.
--taken from: Exclaim!
Friday, May 24, 2013
Halifax Shaped My Musical Evolution
--taken from: Huffington Post
by Jay Ferguson
The first concert I ever went to was the tribute act known as Beatlemania! performing at the Halifax Metro Centre in 1981, but I'm not sure that really counts. Nor does the time before that when I saw John Allen Cameron playing in a barn somewhere in rural Cape Breton. What actually should have been my first concert was KISS and Cheap Trick playing at the Halifax Forum in 1977, accompanied by my babysitter, Rhonda Joy. Sadly, my mom was having none of it.
Growing up in Halifax, Nova Scotia in the early 1980's, for anyone who had not reached legal age, good concert opportunities were few and far between. Our city on the edge of the Atlantic Ocean was not really a regular destination on most band's tour itineraries, likely due to being a full day's drive from Boston or Montreal and it wasn't on the way to, well...anywhere. Perhaps the size of the population in relation to most major touring markets made it a bit of a financial gamble for artists as well.
If you were of age, of course there were acts playing in bars weekly, but it always seemed like they were more often than not playing covers or plundering the catalogue of well worn and wooly sea shanties. If you wanted to see a band that was playing original music, you often had to do a bit of digging and be willing to venture to recreation centres, small university venues, churches or abandoned storefronts that were rented out for the weekend. It was community based. In some ways, if you wanted to see a band, you basically had to start a band. As a result, I think it was due to this isolation that a healthy and supportive underground music scene was fostered in Halifax.
On the opposite end of the spectrum, another outcome of Halifax's relative isolation was that it seemed like every arena concert that arrived in our hometown was a bit of an event, whether you were underage or not. You might end up going to a show whether you were a total convert or a casual fan. I can only really speak for myself, but I think this would explain my seemingly random ticket stub accumulation at the end of the mid to late 1980's, containing names such as :
The Beach Boys (1982 with Dennis Wilson...and Brian(!!) who wandered on and off stage from behind his white grand piano, randomly, sometimes in the middle of songs)
Frank Zappa (Recommended by my guitar teacher. Mr. Zappa walked onstage in grey sweatpants/ white tank-top ensemble and proceeded to play guitar with his back to the audience. Not a fan.)
Billy Idol (On the Rebel Yell tour, hence not a giant catalogue to pull from just yet. Therefore we got lots of Generation X songs, which was a major bonus. Opening act = Platinum Blonde.)
Paul Young (I drove around Europe with my Dad in 1983 for 10 days with only 2 cassette tapes. Paul Young's "No Parlez" and R.E.M.'s "Murmur." I became intensely familiar with both. R.E.M. were never coming to Halifax, so watching Paul throw and twirl his mic stand 20 feet in the air would have to suffice. Good singer.)
Tina Turner (Private Dancer tour. I have no idea who would have accompanied me to this concert.)
Stevie Wonder (The loudest concert I've ever been to. I only knew one song at the time, but converted immediately. I bought a fashionable light blue sleeveless tour shirt.)
Neil Young (Of course, I wish I'd seen a show with Crazy Horse, but this time his backing band were the Country Harvesters with bib overalls and straw hats...coming hot on the heels, logically, of both his rockabilly and synth pop LP's. So predictable. )
Public Enemy (Post-"It Takes A Nation Of Millions...," but pre-"Fear Of A Black Planet." Professor Griff and the S1W's had their fake uzi's confiscated at Halifax International Airport. They had to make do with just pointing their fingers in the air. More Canadian in a way, but a bit less menacing. All members of Sloan in attendance two years before formation. Still likely the only band we can wholeheartedly agree on.)
I'm not sure the exact point that I'm making here, but it really seemed that due to the weekly star attractions in bigger centres such as Toronto, Montreal and Vancouver, one might just decide to go to the concerts by acts you were already familiar with. And rightfully so. Yet in Halifax, with only a handful of concerts per year due to our geographical position, you might venture out to a show by an artist with which you were less familiar due to less entertainment choice, and thus perhaps becoming a fan of an artist you may not have given much consideration before.
Or, alternately you just went and started your own band.
--taken from: Huffington Post
by Jay Ferguson
The first concert I ever went to was the tribute act known as Beatlemania! performing at the Halifax Metro Centre in 1981, but I'm not sure that really counts. Nor does the time before that when I saw John Allen Cameron playing in a barn somewhere in rural Cape Breton. What actually should have been my first concert was KISS and Cheap Trick playing at the Halifax Forum in 1977, accompanied by my babysitter, Rhonda Joy. Sadly, my mom was having none of it.
Growing up in Halifax, Nova Scotia in the early 1980's, for anyone who had not reached legal age, good concert opportunities were few and far between. Our city on the edge of the Atlantic Ocean was not really a regular destination on most band's tour itineraries, likely due to being a full day's drive from Boston or Montreal and it wasn't on the way to, well...anywhere. Perhaps the size of the population in relation to most major touring markets made it a bit of a financial gamble for artists as well.
If you were of age, of course there were acts playing in bars weekly, but it always seemed like they were more often than not playing covers or plundering the catalogue of well worn and wooly sea shanties. If you wanted to see a band that was playing original music, you often had to do a bit of digging and be willing to venture to recreation centres, small university venues, churches or abandoned storefronts that were rented out for the weekend. It was community based. In some ways, if you wanted to see a band, you basically had to start a band. As a result, I think it was due to this isolation that a healthy and supportive underground music scene was fostered in Halifax.
On the opposite end of the spectrum, another outcome of Halifax's relative isolation was that it seemed like every arena concert that arrived in our hometown was a bit of an event, whether you were underage or not. You might end up going to a show whether you were a total convert or a casual fan. I can only really speak for myself, but I think this would explain my seemingly random ticket stub accumulation at the end of the mid to late 1980's, containing names such as :
The Beach Boys (1982 with Dennis Wilson...and Brian(!!) who wandered on and off stage from behind his white grand piano, randomly, sometimes in the middle of songs)
Frank Zappa (Recommended by my guitar teacher. Mr. Zappa walked onstage in grey sweatpants/ white tank-top ensemble and proceeded to play guitar with his back to the audience. Not a fan.)
Billy Idol (On the Rebel Yell tour, hence not a giant catalogue to pull from just yet. Therefore we got lots of Generation X songs, which was a major bonus. Opening act = Platinum Blonde.)
Paul Young (I drove around Europe with my Dad in 1983 for 10 days with only 2 cassette tapes. Paul Young's "No Parlez" and R.E.M.'s "Murmur." I became intensely familiar with both. R.E.M. were never coming to Halifax, so watching Paul throw and twirl his mic stand 20 feet in the air would have to suffice. Good singer.)
Tina Turner (Private Dancer tour. I have no idea who would have accompanied me to this concert.)
Stevie Wonder (The loudest concert I've ever been to. I only knew one song at the time, but converted immediately. I bought a fashionable light blue sleeveless tour shirt.)
Neil Young (Of course, I wish I'd seen a show with Crazy Horse, but this time his backing band were the Country Harvesters with bib overalls and straw hats...coming hot on the heels, logically, of both his rockabilly and synth pop LP's. So predictable. )
Public Enemy (Post-"It Takes A Nation Of Millions...," but pre-"Fear Of A Black Planet." Professor Griff and the S1W's had their fake uzi's confiscated at Halifax International Airport. They had to make do with just pointing their fingers in the air. More Canadian in a way, but a bit less menacing. All members of Sloan in attendance two years before formation. Still likely the only band we can wholeheartedly agree on.)
I'm not sure the exact point that I'm making here, but it really seemed that due to the weekly star attractions in bigger centres such as Toronto, Montreal and Vancouver, one might just decide to go to the concerts by acts you were already familiar with. And rightfully so. Yet in Halifax, with only a handful of concerts per year due to our geographical position, you might venture out to a show by an artist with which you were less familiar due to less entertainment choice, and thus perhaps becoming a fan of an artist you may not have given much consideration before.
Or, alternately you just went and started your own band.
--taken from: Huffington Post
Wednesday, May 22, 2013
What's your favourite festival memory?
--taken from: CBC music
by Jesse Kinos-Goodin
Chris Murphy In 1992, the Arch Angels had to cancel their appearance at a festival at Parlee Beach in New Brunswick. Our band, Sloan, did not own our own gear at the time but we were asked to open the show that also included Steve Miller, Extreme and Sass Jordan. We ended up playing in front of 30,000 people with crappy rented gear. It was a time when we prided ourselves on our lack of professionalism so the crowd was in for a rude awakening. We rolled around on the stage and unleashed as many originals as we could squeeze into what was probably a half hour. Some people in the crowd seemed to like it but there were certainly a lot of middle fingers raised. We had a blast. We played volleyball backstage but were asked to stop briefly as Extreme were led through post-set wearing terrycloth robes. We went through an awkward transformation into a band that could deliver every night so any lack of professionalism at this point is unintentional.
--taken from: CBC music
by Jesse Kinos-Goodin
Chris Murphy In 1992, the Arch Angels had to cancel their appearance at a festival at Parlee Beach in New Brunswick. Our band, Sloan, did not own our own gear at the time but we were asked to open the show that also included Steve Miller, Extreme and Sass Jordan. We ended up playing in front of 30,000 people with crappy rented gear. It was a time when we prided ourselves on our lack of professionalism so the crowd was in for a rude awakening. We rolled around on the stage and unleashed as many originals as we could squeeze into what was probably a half hour. Some people in the crowd seemed to like it but there were certainly a lot of middle fingers raised. We had a blast. We played volleyball backstage but were asked to stop briefly as Extreme were led through post-set wearing terrycloth robes. We went through an awkward transformation into a band that could deliver every night so any lack of professionalism at this point is unintentional.
--taken from: CBC music
CBC Music’s First-Ever Festival Will Be a CanCon Love-In
The CBCMusic.ca Festival will feature Sloan, Kathleen Edwards, Of Monsters and Men, and roving appearances by Jian Gomeshi and Matt Galloway.
--taken from: Torontoist
by Chris Dart
According to CBC’s Chris Boyce, the goal of this weekend’s CBCMusic.ca Festival is twofold. First and foremost, the CBC wants to celebrate Canadian music. Second, it wants to celebrate CBC Music, the broadcaster’s online music service, which launched a little over a year ago.
“During the long, cold Toronto winter, we started thinking about spring and having a festival, and how great it would be to have our listeners experience this music in a real, live venue,” says Boyce, the broadcaster’s executive director of English audio and radio services. “We felt it was something we needed to try.”
The resulting festival, CBC Music’s first ever, will take place this Saturday at Echo Beach, and will feature the likes of Sloan and Kathleen Edwards, as well as the festival’s lone non-Canadian band, Of Monsters and Men. Boyce says that while CBC Music is a multi-genre service, it opted to focus on one sound for this event.
“For the festival, we kind of focused in that indie rock, adult-alternative vein,” he says. “If you look at the artists who are playing—Sam Roberts, Kathleen Edwards, Sloan—those are a lot of the artists who form the core of the adult-alternative channel on CBC Music, but they’re also a lot of the artists who we play on Radio 2 Morning, and Canada Live, and the Sirius XM channel.”
He adds that the idea was to have a mix of established acts and emerging artists on the verge of breaking out.
“You’ll see people like Kae Sun, who we think is going to have a really big year,” says Boyce. “Or Sherman Downey and the Ambiguous Case, who won our Searchlight contest.”
Boyce says one of the things organizers wanted to do was integrate some CBC-specific elements into the festival. As a result, the audience will be treated to a special edition of CBC Radio’s comedy show The Debaters.
“The piece I’m most curious about is that we’re trying stuff that’s a little unconventional for a festival,” says Boyce. “Can there be other stuff that we can do live on stage that breaks up the time between acts? We’ve got two stages going, we have a bunch of our personalities—Jian Gomeshi and Matt Galloway and some other people—who are going to be at the festival. That’s the challenge: how to make it familiar and comfortable as a music festival, but also use those other CBC assets that we can put on-site to educate people.”
Sloan’s Chris Murphy says that he was thrilled to be asked to be part of the festival, given the support the CBC has shown his band over the years.
“CBC Radio 3 is super supportive of us,” he says. “Radio 2, they play weird songs of ours. People always say, ‘I heard you on Radio 2,’ and I say, ‘What song did they play?’ And it’s always some crazy song I barely remember.”
He adds that the festival is proof that our nation’s formerly stodgy public broadcaster has undergone a huge transformation in the last several years.
“Growing up, I thought CBC was so unhip…but now it just seems cooler than I am,” he says. “Radio 3 is supposed to be playing the stuff that’s more out there, but even on a show like Q, they’re playing some pretty out-there stuff, and that’s on Radio 1.”
According to Boyce, if the Echo Beach event is successful, it could be a template for a larger, multi-day, multi-city event.
“I would love to have a version of this that we do in Vancouver and Calgary,” he says. “We’ve already talked about a one-day festival versus a multi-day festival. We’ll see how it goes and immediately start planning for next year. So far, we’re feeling really good.”
--taken from: Torontoist
--taken from: Torontoist
by Chris Dart
According to CBC’s Chris Boyce, the goal of this weekend’s CBCMusic.ca Festival is twofold. First and foremost, the CBC wants to celebrate Canadian music. Second, it wants to celebrate CBC Music, the broadcaster’s online music service, which launched a little over a year ago.
“During the long, cold Toronto winter, we started thinking about spring and having a festival, and how great it would be to have our listeners experience this music in a real, live venue,” says Boyce, the broadcaster’s executive director of English audio and radio services. “We felt it was something we needed to try.”
The resulting festival, CBC Music’s first ever, will take place this Saturday at Echo Beach, and will feature the likes of Sloan and Kathleen Edwards, as well as the festival’s lone non-Canadian band, Of Monsters and Men. Boyce says that while CBC Music is a multi-genre service, it opted to focus on one sound for this event.
“For the festival, we kind of focused in that indie rock, adult-alternative vein,” he says. “If you look at the artists who are playing—Sam Roberts, Kathleen Edwards, Sloan—those are a lot of the artists who form the core of the adult-alternative channel on CBC Music, but they’re also a lot of the artists who we play on Radio 2 Morning, and Canada Live, and the Sirius XM channel.”
He adds that the idea was to have a mix of established acts and emerging artists on the verge of breaking out.
“You’ll see people like Kae Sun, who we think is going to have a really big year,” says Boyce. “Or Sherman Downey and the Ambiguous Case, who won our Searchlight contest.”
Boyce says one of the things organizers wanted to do was integrate some CBC-specific elements into the festival. As a result, the audience will be treated to a special edition of CBC Radio’s comedy show The Debaters.
“The piece I’m most curious about is that we’re trying stuff that’s a little unconventional for a festival,” says Boyce. “Can there be other stuff that we can do live on stage that breaks up the time between acts? We’ve got two stages going, we have a bunch of our personalities—Jian Gomeshi and Matt Galloway and some other people—who are going to be at the festival. That’s the challenge: how to make it familiar and comfortable as a music festival, but also use those other CBC assets that we can put on-site to educate people.”
Sloan’s Chris Murphy says that he was thrilled to be asked to be part of the festival, given the support the CBC has shown his band over the years.
“CBC Radio 3 is super supportive of us,” he says. “Radio 2, they play weird songs of ours. People always say, ‘I heard you on Radio 2,’ and I say, ‘What song did they play?’ And it’s always some crazy song I barely remember.”
He adds that the festival is proof that our nation’s formerly stodgy public broadcaster has undergone a huge transformation in the last several years.
“Growing up, I thought CBC was so unhip…but now it just seems cooler than I am,” he says. “Radio 3 is supposed to be playing the stuff that’s more out there, but even on a show like Q, they’re playing some pretty out-there stuff, and that’s on Radio 1.”
According to Boyce, if the Echo Beach event is successful, it could be a template for a larger, multi-day, multi-city event.
“I would love to have a version of this that we do in Vancouver and Calgary,” he says. “We’ve already talked about a one-day festival versus a multi-day festival. We’ll see how it goes and immediately start planning for next year. So far, we’re feeling really good.”
--taken from: Torontoist
Andrew and Imaginary Cities
Imaginary Cities set to release highly anticipated second album
by Jen Zoratti
Indeed, Matyas' fingerprints are all over Fall Of Romance. He's a genius when it comes to pop arrangements and is a respected producer in his own right. A host of other gifted players, including Sloan's Andrew Scott and Mother Mother's Ryan Guldemond, also contributed to the record. "To have people you really respect play on your record is really cool," Sarbit says.--taken from: CBC Manitoba Scene
Imaginary Cities 'Fall of Romance'
by Alex Hudson
Recording took place between Winnipeg and Vancouver, with Howard Redekopp (Tegan & Sarah, the New Pornographers) receiving a co-producer credit. Guests on the collection include Sloan drummer Andrew Scott, Sheepdogs singer Ewan Currie, and Mother Mother members Ryan Guldemond and Jeremy Page.--taken from: Exclaim!
Imaginary Cities Talk 'Fall of Romance,' Stream Album on Exclaim.ca
by Alex Hudson
The album features the core duo of Rusty Matyas and Marti Sarbit joined by a host of notable collaborators. Andrew Scott of Sloan plays drums on two songs, and Ewan Currie of the Sheepdogs lends his voice to a track. Plus, several members of Mother Mother pitch in: Ryan Guldemond sings and Jeremy Page plays sax, while Molly Guldemond designed the artwork.--taken from: Exclaim!
Tuesday, May 21, 2013
Sloan on Take Two
Chris talks about the Juno Awards and Sloan's nominations.
--taken from: http://junoawards.ca/episode/sloan/
--taken from: http://junoawards.ca/episode/sloan/
Monday, May 13, 2013
One on One: Sloan’s Gregory Macdonald on Chef School, Fish Scaling, and Key Lime Pie
--taken from: Rolling Spoon
by Elizabeth Chorney-Booth
Gregory Macdonald is a familiar face to many Sloan fans — as the band’s longstanding keyboard player, he’s known by many as Sloan’s “unofficial fifth member.” Gregory has been hitting the stage with Sloan since 2006 when the band started touring their Never Hear the End of It album and been an valued part of the Sloan live show since, most recently touring with them on their amazingly successful (and sweetly nostalgic) Twice Removed 2012 tour.
Gregory is a busy guy music-wise — he also plays with Toronto-based singer-songwriter Thomas D’Arcy and another enduring Canadian favourite, Vancouver’s Limblifter. On top of that, he likes to spend some time behind the board producing bands and is getting ready to work on a new album with Vancouver’s Luck Commander. But before all of this music business, Gregory was a food guy. We caught up to him to talk about his past life as a chef and what he likes to eat and cook.
Key Lime Pie RS
I heard a rumour that you went to culinary school. What made you decide to go for music as a career instead of focusing on being a chef?
I did work in professional kitchens for about 10 years in Vancouver. I completed my apprenticeship at Monk McQueen’s under legendary west coast chef Gregory Walsh, who founded the enduring Raincity Grill. He was most famous for inventing the grilled Caesar salad, which is now a standard on so many restaurants out there.
I knew I wanted to take a break from cooking and focus on music a bit more seriously, so I waited until I had my papers because it’s a lot easier to get back into the industry if you’ve been to school. Plus, late boozy nights don’t really get along with early mornings involving knives and deep fryers.
I’m guessing that if you love to cook, you also like to go out to eat in restaurants. What are some of your favorite restaurants in Toronto?
Toronto is absolutely exploding with amazing new (and old) restaurants. I’m going to try to keep this short: Caplansky’s. La Carnita. Parts & Labour. Chantecler. Momofuku. 416 Snack Bar. Beast. Barberian’s. Banh Mi Boys. Odd Seoul. Salad King. The Ace. Hey Meatball.
That is just to name a few. There’s new places opening every day and people are going to them. I have trouble keeping up!
If someone was coming over to your house tonight to eat, what would you make?
Well it’s spring finally, so that means the BBQ is in full effect. I would probably bike up to Sanagan’s Meat Locker in the market and grab a couple nice thick beef tenderloin steaks. My favorite thing to do lately is get that grill real hot and I mix up some Maldon salt and chopped parsley with a little peanut oil and rub that on one side of the steak and grill it like that. The parsley side is your “presentation” side. Serve it with something green, whatever looks good in the market today. It’s pretty hard to beat asparagus this time of year. You know what you won’t find in my kitchen though are ramps. I get so sick of ramps every May — you can’t get away from them!
Are you the kind of guy who takes pictures of your food?
You know, I must admit I’ve kind of gotten sick of that. I used to, just to make my (ex) girlfriend jealous. But now I kind of make fun of people for it. Remember back in the day when we would wait to get our film developed and then take the prints over to our friends houses to show off what we ate the other day? Yeah, me neither.
As a guy who likes food, is it difficult to eat well while on tour?
Not if you do your research in advance. I have a pretty good list of places I like to hit on the road and the rest of the guys are always asking me where to eat. I used to take it a bit more seriously, lately I’ve gotten lazy. Our lighting guy Kevin has implemented a “one salad a day” rule and that’s becoming more and more standard. It’s not hard to eat “well” but it can be hard to eat “wisely,” especially in smaller towns. The only place I refuse to go is Tim Hortons.
What is your favorite kind of pie?
That’s easy. Key lime.
Do you have any quick magical chef’s tips or tricks you’d like to share with us?
Hmm. I can skin a whole side of a salmon in one piece. It’s easier than it looks — just try it. Start at the tail and grab it with a paper towel, because it’s slippery! Also if you’re preparing whole racks of ribs, make sure you take off that thin membrane on the underside first. I also really like grilling on cedar planks, but make sure you really soak it in advance and place it over low or indirect heat. Play around with what you soak the plank in, it doesn’t have to be just water! Throw some tequila or black tea in there. And season the board too!
Stay tuned for an exclusive recipe from Gregory, coming up in a couple of weeks. Until then, here’s what Sloan’s Chris Murphy has to say about Gregory and his contribution to Sloan’s last studio album, The Double Cross. For more info on Sloan, visit SloanMusic.com
--taken from: Rolling Spoon
by Elizabeth Chorney-Booth
Gregory Macdonald is a familiar face to many Sloan fans — as the band’s longstanding keyboard player, he’s known by many as Sloan’s “unofficial fifth member.” Gregory has been hitting the stage with Sloan since 2006 when the band started touring their Never Hear the End of It album and been an valued part of the Sloan live show since, most recently touring with them on their amazingly successful (and sweetly nostalgic) Twice Removed 2012 tour.
Gregory is a busy guy music-wise — he also plays with Toronto-based singer-songwriter Thomas D’Arcy and another enduring Canadian favourite, Vancouver’s Limblifter. On top of that, he likes to spend some time behind the board producing bands and is getting ready to work on a new album with Vancouver’s Luck Commander. But before all of this music business, Gregory was a food guy. We caught up to him to talk about his past life as a chef and what he likes to eat and cook.
Key Lime Pie RS
I heard a rumour that you went to culinary school. What made you decide to go for music as a career instead of focusing on being a chef?
I did work in professional kitchens for about 10 years in Vancouver. I completed my apprenticeship at Monk McQueen’s under legendary west coast chef Gregory Walsh, who founded the enduring Raincity Grill. He was most famous for inventing the grilled Caesar salad, which is now a standard on so many restaurants out there.
I knew I wanted to take a break from cooking and focus on music a bit more seriously, so I waited until I had my papers because it’s a lot easier to get back into the industry if you’ve been to school. Plus, late boozy nights don’t really get along with early mornings involving knives and deep fryers.
I’m guessing that if you love to cook, you also like to go out to eat in restaurants. What are some of your favorite restaurants in Toronto?
Toronto is absolutely exploding with amazing new (and old) restaurants. I’m going to try to keep this short: Caplansky’s. La Carnita. Parts & Labour. Chantecler. Momofuku. 416 Snack Bar. Beast. Barberian’s. Banh Mi Boys. Odd Seoul. Salad King. The Ace. Hey Meatball.
That is just to name a few. There’s new places opening every day and people are going to them. I have trouble keeping up!
If someone was coming over to your house tonight to eat, what would you make?
Well it’s spring finally, so that means the BBQ is in full effect. I would probably bike up to Sanagan’s Meat Locker in the market and grab a couple nice thick beef tenderloin steaks. My favorite thing to do lately is get that grill real hot and I mix up some Maldon salt and chopped parsley with a little peanut oil and rub that on one side of the steak and grill it like that. The parsley side is your “presentation” side. Serve it with something green, whatever looks good in the market today. It’s pretty hard to beat asparagus this time of year. You know what you won’t find in my kitchen though are ramps. I get so sick of ramps every May — you can’t get away from them!
Are you the kind of guy who takes pictures of your food?
You know, I must admit I’ve kind of gotten sick of that. I used to, just to make my (ex) girlfriend jealous. But now I kind of make fun of people for it. Remember back in the day when we would wait to get our film developed and then take the prints over to our friends houses to show off what we ate the other day? Yeah, me neither.
As a guy who likes food, is it difficult to eat well while on tour?
Not if you do your research in advance. I have a pretty good list of places I like to hit on the road and the rest of the guys are always asking me where to eat. I used to take it a bit more seriously, lately I’ve gotten lazy. Our lighting guy Kevin has implemented a “one salad a day” rule and that’s becoming more and more standard. It’s not hard to eat “well” but it can be hard to eat “wisely,” especially in smaller towns. The only place I refuse to go is Tim Hortons.
What is your favorite kind of pie?
That’s easy. Key lime.
Do you have any quick magical chef’s tips or tricks you’d like to share with us?
Hmm. I can skin a whole side of a salmon in one piece. It’s easier than it looks — just try it. Start at the tail and grab it with a paper towel, because it’s slippery! Also if you’re preparing whole racks of ribs, make sure you take off that thin membrane on the underside first. I also really like grilling on cedar planks, but make sure you really soak it in advance and place it over low or indirect heat. Play around with what you soak the plank in, it doesn’t have to be just water! Throw some tequila or black tea in there. And season the board too!
Stay tuned for an exclusive recipe from Gregory, coming up in a couple of weeks. Until then, here’s what Sloan’s Chris Murphy has to say about Gregory and his contribution to Sloan’s last studio album, The Double Cross. For more info on Sloan, visit SloanMusic.com
--taken from: Rolling Spoon
Monday, May 6, 2013
Canadian musicians on their 1st instruments
--taken from: CBC music
by Raina Duris
Jay Ferguson:
"If the accompanying photo is anything to go by, I guess my first instrument was the guitar. And I had no idea how to make chords. I think I received this as a birthday gift and likely just lept around in front of a mirror imitating Ace Frehley or Elvis Presley. By the time Grade 8 rolled around, I was full on into the fantasy of playing in a band and received a proper Fender acoustic guitar for Christmas (thanks mom). After six months of tuneless/abrasive strumming, my mother insisted/demanded on proper lessons. I began lessons with teacher Phil Black at Ken Davidson's Music in Halifax. Phil got me into finger picking style early on, but I was even more interested in him showing me the chords to songs by R.E.M. or the Smiths or the Beatles I would bring in on cassette. Although there are a lot of people who are responsible for me still playing guitar in a band after 22 years, I would definitely put Phil Black in that category. Thanks Phil!"
--taken from: CBC music
by Raina Duris
Jay Ferguson:
"If the accompanying photo is anything to go by, I guess my first instrument was the guitar. And I had no idea how to make chords. I think I received this as a birthday gift and likely just lept around in front of a mirror imitating Ace Frehley or Elvis Presley. By the time Grade 8 rolled around, I was full on into the fantasy of playing in a band and received a proper Fender acoustic guitar for Christmas (thanks mom). After six months of tuneless/abrasive strumming, my mother insisted/demanded on proper lessons. I began lessons with teacher Phil Black at Ken Davidson's Music in Halifax. Phil got me into finger picking style early on, but I was even more interested in him showing me the chords to songs by R.E.M. or the Smiths or the Beatles I would bring in on cassette. Although there are a lot of people who are responsible for me still playing guitar in a band after 22 years, I would definitely put Phil Black in that category. Thanks Phil!"
--taken from: CBC music
Thursday, May 2, 2013
Sloan go hardcore
--taken from: NOW Toronto
Long-running Toronto guitar-pop band Sloan recently announced the release of a limited-edition Hardcore 7-inch package. Available on sloanmusic.com as of Tuesday (May 7), it includes a 7-inch featuring two new Sloan tunes, a “Sloan circa 1985” T and, best of all, a digital album of a dozen hardcore punk covers, including Descendents’ Catalina, 7 Seconds’ Bully, lots of Angry Samoans and a CanCon entry with the Nils’ Fountains. While the package may come as a surprise to some, Sloan’s love of the genre isn’t a secret. Bassist/singer Chris Murphy frequently cites Descendents as one of his favourite bands, guitarist/singer Jay Ferguson loves Gray Matter, and guitarist/singer Patrick Pentland played in Halifax punk bands in the 80s. Plus, their Twitter background is a photo of the members recreating Minor Threat’s classic Salad Days EP cover (also the cover of Sloan’s new 7-inch).
--taken from: NOW Toronto
Long-running Toronto guitar-pop band Sloan recently announced the release of a limited-edition Hardcore 7-inch package. Available on sloanmusic.com as of Tuesday (May 7), it includes a 7-inch featuring two new Sloan tunes, a “Sloan circa 1985” T and, best of all, a digital album of a dozen hardcore punk covers, including Descendents’ Catalina, 7 Seconds’ Bully, lots of Angry Samoans and a CanCon entry with the Nils’ Fountains. While the package may come as a surprise to some, Sloan’s love of the genre isn’t a secret. Bassist/singer Chris Murphy frequently cites Descendents as one of his favourite bands, guitarist/singer Jay Ferguson loves Gray Matter, and guitarist/singer Patrick Pentland played in Halifax punk bands in the 80s. Plus, their Twitter background is a photo of the members recreating Minor Threat’s classic Salad Days EP cover (also the cover of Sloan’s new 7-inch).
--taken from: NOW Toronto
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